Wednesday, 19 April 2017

Task 5: Meeting the client brief (M4, D1)

How does the exported media product meet the client brief?

The products that I created had a lot of detail and thought involved when creating them, my aim was to follow the client brief to detail, to get the best outcome from my work.

The first way in which it meets the client brief, is through the way that the magazine is based on a genre of music chosen by myself. The brief states that there is a vibrant music culture, therefore clearly states that the products must be linked to this. Furthermore, the exported media products are well linked to North London, which was one of the main focuses of the entire brief. 

There were many important steps taken to ensure that I stuck to what the brief required, for example, I went and took photos in an underground station that is in North London, so the target audience can recognise the magazine as a product specifically aimed at them, in this part of the city, at a place they know of well. I then named the magazine “NorthCityGrime”, because I wanted to reference the genre and area of focus in one name, to ensure that it was effective. 

The brief also required me to showcase the talent in the area, therefore I focused the front cover and article on the same artist, in which I had gathered information before the photoshoot, and found out that he is from North London and performs at venues round the area, so it was clear that using this artist would be a very good talent to showcase for this magazine. I also needed to showcase some of the venues round that exist in the area, so I decided to visit 3 different locations and take photos. I then included an article on them within the double page spread, and at the end linked it to the artist because I believe that it was important to reference the fact that the artist does perform at these venues, and it also informs the readers of North London that these venues are easily accessible and they should visit them. See a photo that I took of one of the venues below:

Additionally, I wanted to make sure that the photographs of the artist were taken in typical grime scene locations, therefore I took my photos in alleyways and tube station platforms because they’re often dark being underground. This ensured that I was following the brief because I was portraying a specific genre that I chose to use. 

Analyse how post-production techniques and processes create meaning in the media product to meet the client brief.

During the production of the magazine and double page spread, there were many techniques that I had to use effectively, to be able to meet the requirements of the client brief, and to create meaning in the products. I will analyse this below.

The first technique that I used was within the photoshoot. I took a range of photographs from different angles and heights to reflect different messages within each photo. For example, low angle shots give the artist power. However the images that I actually used in the products were mid/long shots, to allow the body language and facial expressions of the artist to portray the strong emotions associated with grime on the front cover and article. He also appeared to be very photogenic, making the images fit the emotions of grime in an even better way.




I then needed to use some good techniques during production to create meaning. The first part was to use fonts that had a messy and grimy feel to it, so I downloaded rap and grime related fonts from online, one very good one that was different to the font that I planned to use, as this one stood out more. It is called "Overdose Sunrise". I used them for the masthead and cover lines, and then changed the texts colour to red to show the anger associated with grime music. However, to make the text look better I changed some words to white within cover lines, so that red wasn't the only consistent colour, otherwise the front cover would seem boring. I do have the artists head covering part of the mast head for effect, but hid that to take the screenshot of the font. 

The other process to go ahead with when creating text was the added effects. I added a black outer glow to most of the text, because without it, the text blended in too much with the image background, and did not stand out enough. I also added a stroke effect, inner glow, a drop shadow and a change of saturation in some pieces of text. This was all similar for the left side of the double page spread.

The next stage was to make use of the magnetic lasso tool. I used this to make the artist larger on the front cover, because the photo that I used was taken slightly too far away making the artist too small on the front, therefore I used the lasso tool to make a selection round him and then make him larger to stand out more, suggesting to the target audience that he is one of the main focuses of the front cover. 

Another tool that was key to making the products effective was the rubber tool. I used this to erase parts of images that I didn’t want included. For example, I had to use it to make a part of the white background of the barcode invisible, otherwise the barcode would be taking up too much space in the lower corner. Furthermore, it was used to cut off the edges of smaller images included in the products (e.g. and image of a venue). The brief asked me to showcase venues, therefore it is clear that when including photos of these places, I should make sure that they look professional even though it did not require too much time to do so. 

On both the front cover and double page spread, one of the most used tool was the text box tool. I used this for every cover line, title, paragraph and everything else. The text box tool is useful for lining words and sentences in the way that you want, allowing you to change the format and style of what the box contains. For the double page spread using text boxes were vital to the look of the of paragraph layout, because I was able to line the columns well, separate the questions from the answers and so on. This was very important to the article because it contributes to making the magazine look as professional as possible.

Monday, 17 April 2017

Task 4: Evidence of post production techniques (P5)

Below is a full explanation of my evidence for post production, with a commentary of all the tools used on Photoshop. The work below has been written to meet the client brief. 

Thursday, 6 April 2017

Task 4: A review of the front cover and double page spread for the target audience (P5).

Shown below is a review of how suitable the front cover and double spread are for the target audience, based on my opinions. It is important to do this as a way of assessing the strengths and weaknesses of the products that I have created.







Tuesday, 4 April 2017

Task 4: Post production techniques and processes (P5)

This blogpost includes both the front cover and double page spread that I have created. I have exported them in JPEG format, in order to meet the client brief.

Thursday, 30 March 2017

Task 3: Photos of setting up the camera. (P4)

Below are some images of me setting up the camera to take my own photos, in which I used for the front cover and double page spread, these images provide proof of the use of my own photos and were taken to meet the client brief.


The first photo above shows the tripod in place and the camera in my hands, with the cap off ready for a photoshoot. 


The second photo shows me checking the camera, to make sure everything looks correct before locking it onto the tripod. I wanted to ensure that the camera was on the correct settings that I planned to use for this photoshoot, to make sure that I get the best possible outcome. 
The final photograph above shows the camera firmly in place on the tripod, ready for use. 

Wednesday, 29 March 2017

Task 3: Create production materials. (P4, M3)

Below are a selection of materials that I intend to use during the production. I have completed a photoshoot, and now have a selection of images to choose from to use for the front cover and the article. Furthermore, I have also created a rough template of where I plan for the different parts of the front cover and article to go. For example, the masthead, images etc. There is also an idea for an intended font and the script that I will be using for my double page spread. With all of this material, I will be able to have everything organised and ready for production during task 4.

Photoshoot images:

Here are the selection of images that I believe were the best from the photoshoot, and I will likely be using at least 2 of them during production. The photos are posted here in order to meet the client brief.



I then needed to plan a rough idea of where each part of the front cover and double page spread will be placed, so I have created a template which I will likely stick to using. However the final products are likely to be subject to change because I might decide to add or change features.







Lastly, part of task 3 is to write a body copy of the script for the double page spread (articles). This is so that I can that place the completed script into photoshop where the editing process will take place. The copy of the script was also typed up to meet the client brief.


So who is he? 

Avelino is an upcoming grime artist from Tottenham in North London, and tends to base himself right here north of the river! Currently he is performing at many venues around the North of London, where he raps at open mic nights and other shows. We interviewed him and found out about his career, life and where he likes to perform!

When did you first realise that you wanted to create grime music and how old were you?

“I was about 16 years old when I first heard english rappers on the radio such as Tinie Tempah. I thought that the music was so good and in a way, I found it addictive to listen to because it was something that I had never heard before and it then made me think about creating similar music myself, but it wasn't until a few years later, having still maintained love for the genre, that I realised I could create my own songs”. 

When did you start performing?

“I started to perform when I was about 20 years old. I had been listening to grime artists for a while, and there was now new talent within the genre, and I realised that music was the career for me. I wanted to perform on stage so I started attending shows at the venues round the area, and have been doing that ever since. I have performed at many locations around North London and I am currently looking to create songs with other artists”. 

What’s your favourite part about performing?

“Definitely being able to sing my songs in front of the same and new audiences. Every time I perform the reaction from the audience is great, because it might be something that they have never heard before. I love visiting different places as well. It would get boring if I was performing at the same place each time”.

How often do you go to gigs or open mic nights and perform?

“I normally try to go at least once a month because if I went every week it would become repetitive and I believe that I would lose the love for it. The other reason that I choose to go once a month, is because I am often working on new songs meaning that I need to focus on doing that instead of performing. However, I think for upcoming artists like me it is important to maintain the balance, so that I can maintain my local audiences in North London as well as find new ones when performing locally”. 

How often do you release new songs?

“Releasing songs is key to growth for the work that I do. Bigger grime artists such as Stormzy, Skepta and Chip can easily go a while without releasing tracks, and still remain popular. For me, I need to be making music as much as I can. My last song was released in early February, and I plan to record a new song in the coming weeks, so about every month or 2. I am always thinking of new ideas and lyrics that could make an interesting grime tune”. 

Was it difficult to get into the music industry?

“For many artists starting up, they find it extremely hard to grow, but for me, I have been luckily enough to get asked to perform in some venues however I had to start by asking for slots on open mic nights when I originally started out making songs. I hope to carry on with this but and will hopefully be able to perform to larger audiences in the coming years”. 

What are your songs about?

“My tunes are often talking about casual life issues. I like to make them relatable for the young audiences that I have so I think that is important to relate my lyrics to life rather than fictional stories about my own life. It makes the songs come across as more understandable, sometimes I like to change my lyrics though, if it benefits the emotions of the sound”. 

Do you like producing songs with other artists if so why?

“Yeah I love doing that, it means that the rap has more than one voice rapping different verses throughout, I think it is good to build friendships with other artists as well because it means that more music can be produced in the future and it will genuinely help for the long term. You might  even see a collaboration with me and somebody else quite soon!”.

Lastly, where do you see yourself in the future?

“I see myself hopefully performing at larger locations in front of a bigger audience, I think grime will continue to be a growing genre, especially here in London and even elsewhere, so with that in mind I could potentially be very lucky, as long as I continue to do the work that I am currently doing and continue trying to progress. Look out for me in 3 years time I could be performing at the O2 arena”!

(Venues, 2nd article)

The Roundhouse is a venue for performing in Camden, North London, where different artists perform each day. It gives young artists a chance to perform and show their talent. The artists performing attract audiences that wish to see the talent in the area, so why not take a trip to camden and see a performance?

KOKO is a venue in Kentish town, where different artists perform each night to show their talent to audiences. This venue is differs from the roundhouse as it focuses on allowing artists of any age to perform, rather than just youths who are starting up and the talent varies in music genre, so there is always something for everyone! Head to KOKO and enjoy a fun night out!

The O2 Academy Islington is a venue is slightly further away than the Roundhouse and KOKO. This venue hosts live music and club nights. In recent years Grime artists have begun to perform there, after many years of popularity for artists in other genres of music. Londoners have found a love for attending the O2’s events, so hop on the tube and take a trip to Islington!

Avelino’s favourite place to perform?
“My favourite venue is definitely the O2, because of the great atmosphere when rapping in front of an audience. I think the O2 academy’s popularity makes it a great venue to go to”.


































































Tuesday, 28 February 2017

Task 2: Tech Recce (P3)

Below is a Tech Recce sheet, which provides all the details of the tech being used during the shoot, and the times of when each part of the photoshoot is due to take place. This helps as a reference to use when any details need to be found out. 

Task 2: Moodboard (P3)

Below is a mood board, created for part of Task 2 as a piece of pre-production material. This mood board summarises themes and culture behind the music genre of grime and enables a sense of a typical grime scene in London, and who the big artists currently are.

Task 2: Call sheet (P3)


Below, is a Call sheet, which I have created as part of the pre-production for task 2. The call sheet acts as a plan and information guide to all the details of the photoshoot, that took place to get good quality images for the front cover and article. The call sheet is also used to plan the day, therefore its importance is relevant to pre-production as it gives an idea of everything that happened during the photoshoot. 


















Monday, 27 February 2017

Task 2: Plan and Develop Pre-production materials (P3, M2)

Cambridge Technical In Digital Media Unit 3: Task 2 Plan and develop Pre-production materials

Models: For this I expect to use the artist himself as the main image to act one of the focuses of the front cover, as the artist is an important part of the grime scene that I am showing. 

Risk Assessment:
This is a process that is used in production, experiments, or any form of activity that could have its dangers if not completed safely. The idea is to state a possible risk of going ahead with an activity and you can assess it on likelihood, level of risks, consequences and precaution. In my example below, I have shown the exact risks of taking photos or filming in public areas. I will be able to use this to refer to, when attempting to go somewhere or do something based on photography, and then take the correct precautions to avoid harm or danger. 


Possible photography locations: Recce’s
Location recce’s sum up the details of filming or photographing in certain places. The location recce that I have created below shows the possible risks of filming at particular locations, meaning that it is important to take into consideration when taking my own photos to avoid any unnecessary issues.  

High street:

Possible risks:
Danger of being hurt by transportation Eg Cars, Buses, Bikes. 
Angry people causing issues
Busy (People can get in the way of the shot)
Loud. 

Underground station: Dark, will need to pay for extra sources of light.
Possible risks:
If the station is busy, photography might cause “Traffic” amongst passengers
Tracks: High voltage of electricity, However many passengers stand alongside the tracks every day. 
Trains: Life threatening if you fall in front of one. 

On-stage: Could fall off of stage, 
Might not want to be photographed while performing.

It is important to consider these risks because otherwise photography will be an issue and it could cause further trouble involving police or the public, therefore risk assessments and Recce’s must be carried out to ensure nothing bad happens.

Possible colour schemes:

Black, Red, White, Blue. These colours are strong and bold colours that suggest the idea of danger and strength within lyrics and the genre itself. 


Timescales:
Production materials as well as  post-production techniques and processes must be completed by the 21st of March. I will do this by ensuring that I am working on production in and outside of lesson time. Post production starts on the 21st of March and must be completed by the 5th of april . I will spend 12 + hours creating both the front cover and double page spread. 

Production schedule:

Tech:

Equipment: 
Camera
Lighting (Can be existing or my own)
Spare camera

Step 1: Meet artist at decided location - 4 pm
Step 2: Ensure location is completely safe to film in. 
Step 3: Set up camera in correct positioning - 4:30 - 4:45
Step 4: Take photos from different angles. Aim for a mid-shot and a medium - long shots. 4:45 - 5 (To get good shots and a vast range)

Legal and Ethical issues:

One of the most important ethical issues to consider is privacy. There will be many artists or people mentioned in the magazine, and they will not want any private information about themselves published, or even certain images. 

A legal issue to consider is copyright. This means using images or content that you don't own the rights to. In magazine production, therefore I must ensure that I use content legally and with permission. The cost of paying for a copyright strike will have a very negative effect on the money that I am earning from the magazine.

Moreover, another important ethical issue that needs to be addressed is libel. This means that I should ensure that I don't place any false information about any person in the magazine as it could cause them damage within their community. This ethical issue also violates the law therefore it could cause further issues with the court. 

To avoid the dangers of further problems with these issues, I need to ensure that I think aout every piece of content that goes into the magazine, and the correct research must be conducted before production .





Fonts: The font that I intend to use for the masthead needs to be large, bold, and gripping, it also needs to be strong in colour, being different to that of the background. This is because I want people to see the masthead first and understand that the magazine will be exciting and interesting to read. Therefore I have created an idea for a potential font to use called “Raptor”, which when looking at, is associated with anger based on its colour and the emotions that you feel viewing this font. Other similar fonts will be used for the rest of the front cover and articles, using black or white text and something that stands out. 

Layout
I have sketched a draft of what I wish the layout of the front cover of the magazine to look like, this was also on task 1. It shows an idea of where I plan to place everything on the magazine front cover. 

Saturday, 18 February 2017

Task 1 sample materials for proposal (P1, P2, M1)



Firstly, I created some hand drawn templates suggesting where I could potentially put everything within the front cover and double page spread, this did then change slightly for my actual hand drawn designs and could potentially be different during production for the best possible outcome. Below the drawings are the rest of the sample material in relation to the proposal.